Brian Jones: The Making of the Rolling Stones Page 35
failure to write songs for the band, 137–38
fascination with Gnawa music, 272–74
final appearance with the Stones, 298–299
first band formed (Barn Owls), 25–26
first encounter with future Stones, 34, 61
five-pound note incident and beginning of downfall, 111–13, 128
formation of Stones, 67–72
guitar skills and musical abilities, 34, 44, 46–47, 186–87, 230
introduces hardcore blues on US mainstream media for first time, 146–50
Joujouka tapes, 283–90, 292, 304
lack of ability to focus on his music after leaving the Stones, 309–10
last live show played with, 274–75
as leader of the band, 73–75, 79, 86, 88, 106, 109–10, 116
leaves the band, 306–7, 309
legacy of, 318, 321–22
missing of shows, 106, 136, 195
musical development and gigs performed before the Stones, 35, 39–40, 44, 45–46, 46–47, 49
musical influences and tastes, 19–22, 25–26, 38, 46, 48, 49–51
new empowerment of, 187, 190, 192
non complaining of treatment of by band, 292
plays tenor sax with Ramrods, 39
popularity in the States, 125, 133–34
portrayal of in Godard’s One Plus One, 280–81
relationship with and influence of Korner, 53–55
relationship with Jagger, 86, 89–91, 131, 146, 174, 175–76, 177–78, 218, 302, 303, 306
relationship with Richards, 75, 86, 122–23, 131–32, 177–78, 190–91, 221, 293, 303
and ‘Ruby Tuesday,’ 201–202
and sacking of Stewart, 102
and Satanic Majesties Request album, 233
on stage, 78, 111, 167
and Stones’ debut album, 114–15, 117
talk about working as a producer outside the Stones, 152, 153
treatment of by band members, 128, 130–31, 138, 143–44, 177–78, 266–67, 292, 293, 302–3
treatment of by Oldham, 124, 130, 131, 135–36, 139, 143–44, 152, 162, 177–78
wanting to form new group with Moroccan musicians, 303–6
writing soundtrack for Mord und Totschlag, 209–10, 214, 231
personal life
abandonment of by Pallenberg and Stones in Morocco, 222–29
appearance, 12, 27, 125, 133
asthma, 14, 18, 107, 129, 246, 297, 310
attitude towards women, 38
broken wrist, 198–99
character traits and personality, 12–13, 27–28, 52, 66, 67, 76, 79–82, 80, 105–6, 139, 197, 198, 200–201, 209, 211, 228
Chelsea Mews flat, 7 Elm Park Lane, 151, 179
at Cheltenham Grammar School, 14–16, 17–19, 21, 22–23, 25, 30–32
Courtfield Road pad, 199, 234–35
as dandy, 165, 180, 192, 241
death of, 313–15, 323–35
deterioration of health and mental state, 155, 246–47, 251–54, 255–56, 280–81, 298–299, 310–11
disappearance of possessions after death, 333
dress style, 125, 170, 180, 192, 245
and drinking, 117-18, 128, 145
drug busts and court appearances, 237–38, 241–43, 260–63, 276–77, 280, 294–95
drug consumption, 128, 135–36, 155–56, 180, 189, 213, 246–47, 252, 256, 277–78, 281, 297
and Dylan, 171–72, 194
early jobs undertaken, 39
education and academic record, 12, 13–16, 35
estate after death, 335
fascination with the occult and status as a witch, 159, 160
fastidious about appearance and hygiene, 105, 106, 140
fixation with the god Pan, 160–61, 235, 322
funeral, 316–17
girlfriends and children born from affairs, 28, 29–30, 40–41, 48–49, 59–60, 67, 87, 319–20
harassment of by police and drugs squad, 240–41, 242, 253, 259, 265, 276–77, 314–15, 319
hatred of the establishment, 23
health problems and resentment at own frailty, 106–7, 136, 246
insecurity and self-doubt felt, 180, 182, 210–11, 274
isolation and loneliness felt, 20, 75, 242, 246, 251, 280, 311
jealousy, 41, 144–45
leaves for London, 61
and London social scene, 192–93
money problems, 258
mood swings and depression, 40, 62, 75, 154–55, 251–53, 256
murder of scenario, 312, 316, 325–32
narcissism, 27, 80, 135, 154–55, 211
parental background, 5–6, 8–12
perfectionism, 40
playing music to Barbary apes incident, 223
police investigation into death, 315, 334–35
as Priory Hospital patient, 255
purchase of Cotchford Farm in East Sussex, 295
rebellion in early years, 19, 30–32
recklessness, 107–8
relationship with Anna Wohlin, 307, 311–12
relationship with Hendrix, 269–70
relationship with Linda Lawrence, 87, 105, 106, 107–8, 111, 127–28, 129–30, 162–63
relationship with Nico, 158–59, 245
relationship with Pallenberg, 168–71, 172, 180, 198–99, 200, 209, 211, 220–21, 226–27, 231, 251
relationship with parents, 17–18, 20, 38–39, 40–41, 42–43, 48, 94, 129–30
relationship with Suki Potier, 250–51, 252, 281–82, 305
relationship with the Byrds, 185
relationship with Val Corbett and offer of marriage, 30, 35–37
relationship with Zouzou, 154–55
rents flat with Hatrell, 43–44
self-loathing, 107, 108
sensitivity of, 178, 209, 251–52, 256–57
sentenced to prison and appeal, 263–64
sexual explorations and sex games, 27–28, 52, 135–36, 158–59, 226
suffering from bipolar condition theory, 255–56
suspected pneumonia and recovery in French hospital, 221–22
taking of Mandrax, 246–47
trips to Morocco, 196–99, 219–28, 281–82, 283–91
and underground art scene, 174
unreliability, 210
upbringing in Cheltenham, 5–6, 8–9
Jones, Buck, 39
Jones, Dave, 22, 25, 26, 59–60
Jones, Kenney, 210, 211
Jones, Lewis (father), 6, 8–10, 16, 18, 20, 35, 317, 319, 335
Jones, Louisa (née Simmonds) (mother), 8–9, 10–11, 19, 42, 317, 319
Jones, Pamela (sister), 8–9
Jones, Paul (Paul Pond), 56–58, 61, 62, 68, 86, 106, 153–54
Jones, Peter, 95
Jones, Scott, 328
Joujouka music and tapes, 283–90, 292, 304
‘Jumpin’ Jack Flash,’ 274–75
Keegan, Steve, 25
Keen, Graham, 10–11, 16, 21
Keen, John, 16, 17, 19, 27–28, 43, 44–46, 47, 51, 53, 61, 80, 104–5, 113
Keen, Marian, 11, 19
Keith, Linda, 191–92, 195–96, 230–31, 272
Kesey, Ken, 176
Keylock, Tom, 219, 220, 221, 226, 230, 269, 279, 307, 311, 314
and death of Jones, 315–16, 328, 329–30, 332–34
King of the Delta Blues Singers (album), 50
Kinn, Adam, 275
Klein, Allen, 156–57, 162, 163–64, 241–42, 316
appointment of as co-manager of Stones, 157–58
background, 157
and Blackbourne, 258
and drugs raid on Jones
’ flat, 238
gangster connections, 163–64
influence on Stones, 194–95
and Jones, 308
and Redlands drug raid, 217–18
report on Jones’ death, 332–33
takes over financial control over Stones after Oldham’s departure, 243
Klossowski, Stash, 141, 142, 160, 161, 169, 193, 194, 200, 220, 228, 229, 230, 231, 236–38, 250, 251–53, 260, 261, 327
Knight, Brian, 69
Kooper, Al, 295–97
Korner, Alexis, 2, 33, 34, 50, 52–56, 58, 65, 67, 72, 78, 84, 308–9, 312, 317
Korner, Bobbie, 53, 56, 66, 309, 312, 316
Korner, Damian, 309
Kramer, Eddie, 186–87, 201, 246, 270, 297, 312, 326
Kramer, Nicky, 229–30
Kristina, Sonja, 234–35
Kubernik, Ken, 125, 146–47, 148, 174
‘Lady Jane,’ 187
‘Last Time, The,’ 136–37
Lawrence, Linda, aka Linda Leitch, 87, 105, 106, 107–8, 111, 127–28, 129–30, 162–63, 170, 204–5, 228, 278, 319
Lawson, Janet, 312, 313, 314, 324, 328–29, 332
Leadbelly, 20, 47
Leitch, Joolz, 320–22
Leitch, Julian, 319
Leitch, Linda. See subhead: Lawrence, Linda, aka Linda Leitch
Lennon, John, 27, 94–95, 103, 108, 156–57, 244, 298, 326
‘Let’s Spend the Night Together,’ 203
Lewis, Elmo. See Jones, Brian
Life (Richards), 73–74, 90, 143, 292, 321
Limb, Roger, 30
Lindsay-Hogg, Michael, 274
Little, Carlo, 82, 84
‘Little By Little,’ 123
‘Little Red Rooster,’ 131, 132, 136
Little Richard, 27
Livia, Anna, 36
‘Love In Vain,’ 275
Lundstrom, Astrid, 129
Machiavelli, Niccolò, 62
McCartney, Paul, 94, 108, 180, 244, 246, 251, 252
McCoys, 159
McGhee, Brownie, 55
Malo, Ron, 126
Mandrax, 246–47
Mankowitz, Gered, 116, 129, 136, 137, 164, 169, 173, 217–18, 243
Margaret, Princess, 328
Mark (Jones’ son), 320
Marquee, 2, 72–73, 77, 78, 79, 84
Martin, Dean, 125
Martin, Mick, 307
Mason, Dave, 270
Master Musicians of Joujouka, 283–84
Maxwell, Hamish, 68
May, Phil, 78, 130, 131, 132, 139
Mayall, John, 153, 305, 310
Mayer, Roger, 270
Melody Maker, 109–10, 115
Mezzrow, Mez, 52
‘Midnight Rambler,’ 300
Miles, Barry, 6, 28–29, 38, 56, 61, 138
Miller, Jimmy, 271, 296
Mills, Dave ‘Gypsy,’ 205–6
Molloy, Dawn, 128, 129, 131–32, 139–40, 293, 319–20
Monkees, 253
Monterey Festival, 245–46
Mord und Totschlag (film), 209–10, 231
‘Mother’s Little Helper,’ 195
Muddy Waters, 43, 49, 62
Murder of Brian Jones, The (Wohlin), 310, 331
Murray the K, 124
Myers, Dave, 126–27
National Jazz and Blues Festival, 103–5
Neve, Bill, 21
New Church, 308, 309
New Musical Express. See NME
News of the World, 212–14, 216, 229, 230, 240, 249, 250, 266, 316
Nico (Christa Päffgen), 158–60, 245
Nile, Bill, 21, 25, 44, 47, 53
‘19th Nervous Breakdown,’ 182
Nitzsche, Jack, 100, 125, 173–74, 177, 178, 182–84, 186, 257, 283, 302
NME (New Musical Express), 109–10, 115, 116
Poll Winners Show, 274–75
‘No Expectations,’ 276
‘Not Fade Away,’ 195
‘Off the Hook,’ 123
Oldham, Andrew, 79, 86, 109, 121, 123–24
background, 95–96
character, 96
as co-manager and producer of the Stones, 98, 100–101, 103, 138–39
disagreements with Rolling Stones and estrangement from, 211–12, 218
and Immediate label, 158, 159, 182, 190, 232
and Klein, 157–58
and Marianne Faithfull, 123
mental state, 232, 243
and Redlands drug raid, 217–18
relationship with and treatment of Jones, 124, 130, 131, 135–36, 139, 143–44, 152, 162, 177–78
relationship with Jagger, 138, 152, 190, 232
and sacking of Stewart, 101
sees Stones for the first time and initial impressions, 96–98
split with Stones, 243
and Stones first US tour, 121, 127
Oliver, Paul, 50–51
Oloffson, Jan, 332
One Plus One (film), 279, 280–81
Ormsby-Gore, Jane, 165, 187
Out Of Our Heads (album), 176
Päffgen, Christa. See Nico
Paine, Syd, 71
‘Paint It, Black,’ 187–88
Paint It Black (Giuliano), 330–31
Pallenberg, Anita, 141, 142, 160, 192, 194
background, 168
fling with Jagger, 282–83, 292
Mord und Totschlag, 209
relationship with Jones, 168–71, 172, 180, 198–99, 200, 209, 220–21, 226–27, 231, 251
relationship with Richards, 200, 220–21, 222–23
taking things close to the edge, 220
Pan, 160–61, 284–85
Parker, Charlie, 20
Partridge, Colin, 21–22, 30
Partridge, Linda, 10
Pastalanga, Brian, 265, 269
Patio club, 53
Pendleton, Harold, 2, 54, 79, 98
Performance, The (movie), 135, 141, 282, 291
Perks, Bill. See Wyman, Bill
Perrin, Les, 218, 253–54, 258, 331
Phelge, James, 74, 76, 77, 80, 82, 83, 84–86, 106, 112, 118–20, 128, 137, 327
Pickering, Tony, 13
Piggott-Brown, Sir William, 268–69
Pike, Robin, 24, 29–30
Pilcher, Detective Sergeant Norman, 205–6, 212, 237, 240, 259, 314–15
Pitney, Gene, 123
‘Play With Fire,’ 138
Pond, Paul. See Jones, Paul
Pope, Alexander, 254
Potier, Suki, 202, 229, 250–51, 252, 268, 281–82, 291, 305, 316, 326–27
Pranksters, 176
Pretty Things, 61, 130
Price, Philip ‘Pip,’ 15
Prince, The (Machiavelli), 62
Private Eye, 255
Protherough, David, 31–32
Rainey, Michael, 165–66, 180, 192, 229, 292
Ramrods, 39
Rawlings, Terry
Who Killed Christopher Robin?, 330
Ready Steady Go! (tv show), 105
Rebel Without a Cause (film), 17
Record Mirror, 182
Reece, J. F., 326
Reed, Jimmy, 48, 49
Rees-Mogg, William, 254, 264, 295
Release, 241, 280
Reno, Jay, 94
Richards, Keith, 17, 33–34, 50, 62, 115
abandonment of Jones in Morocco, 227–28
assuming claimed mantle of ‘musical director,’ 73–74
character, 69, 77
and death of Jones, 321
and first American tour, 126
guitar style and skills, 62, 145–46,
230, 271
joins Rolling Stones, 69, 70
learns Open G tuning from Jones, 62, 296, 322
and leaving of band by Jones, 306–7
Life, 73–74, 90, 143, 292, 321
musical career before Rolling Stones, 64–65
purchase of thatched cottage in West Wittering, 192
Redlands drug raid and trial, 217, 218, 235, 242–43, 247–50
relationship with and treatment of Jones, 75, 86, 122–23, 131–32, 177–78, 190–91, 221, 293, 303
relationship with Jagger, 122, 215, 292, 302
relationship with Linda Keith, 191–92
relationship with Pallenberg, 200, 220–21, 222–23
and ‘Satisfaction,’ 145–46
songwriting partnership with Jagger, 122–23, 136–37, 138, 185
Ride, Graham, 36, 37–38, 45, 47–49, 54, 55, 60, 61, 320
Robinson, Eric, 94, 99
Rock and Roll Circus (film), 298
Rolling Stone, 306
Rolling Stones, 321
American tour (first) (1964), 124–26
American tour (second) (1964), 132–36
American tour (third) (1965), 143
American tour (fourth), 171–76
American tour (fifth) (1966), 194–195
appointment of Oldham as manager, 98
and Beatles, 94–95, 103, 108–9
clothes style, 103
debut album, 114–15, 116–17
debut at Marquee, 72–73
debut single (‘Come On’), 101, 102–3
disagreements with Oldham and split from, 211–12, 232–33, 243
dysfunction and rivalries at heart of, 73–74, 113, 130–31, 302
establishment of definitive line-up, 82–84
European tour (1967), 230
first recordings at IBC, 87–88, 94–95, 101
first UK tour with Bo Diddley (1963), 110–11
formation of by Jones and early members of, 67–72
gigs and shows, 1–2, 77, 79, 83–84, 166, 274–75
Godard’s film on (One Plus One), 279, 280–81
Jagger–Richards songwriting partnership, 122–23, 136–37, 138, 185
leaving of by Jones, 306–7, 309
love of gangsters, 219
name, 72
and nankering, 85–86
record deal with Decca, 100
Redlands drug raid and trial, 214–18, 229, 230, 235–36, 247–50
sacking of Easton and appointment of Klein, 157–58
sacking of Stewart, 101–2
and sexual oneupmanship, 91, 113
shared flat (Edith Grove), 76–77
tours, 113, 140
tv appearances, 105, 132, 144, 182
Ross, Scott, 143–44, 171
Rowe, Dick, 99–100
‘Ruby Tuesday,’ 201–202